As the bus pulled into the visitors’ lot at Newgrange, I thought I was at a botanical garden, not an ancient tomb. But after a stroll along a lattice-covered walkway, an expedient tour of the museum, and a stomach-wrenching bus ride down a narrow country road, I stood facing an immense mound of earth covered in stone. Following the excited tour guide, I clambered up the hill, regretting my early morning decision to don skimpy black ballet flats instead of boots. Thinking back, the skirt wasn’t my best choice, either. Regardless, I eventually found myself adjacent to the tomb, marvelling at both the structure and the picturesque countryside extending far past the tomb in every direction. After the tour guide gave a brief overview of the known facts about the site, my classmates andA I crawled down a narrow passageway to the center of the tomb. It was there that we were immersed in darkness and shown the path of sunlight that would occur each year at the winter equinox. As the dainty light fell upon the damp rock and travelled its way across the time, I wondered how such a simple civilization managed to accomplish such a feat.
As cliché as it may sound, this is what I live to do. Standing in near-darkness in a 5,000 year old tomb, I was overwhelmed by love and appreciation for my field of study, art history. I finally understood why my professors have claimed that art history can’t be studied from books. How can mere words and a grainy image possible compare to full immersion in the place? Simply put: it can’t.
The rocks on the side of the tomb are all indigenous |
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